I (we) belong to youfrom the day of my birthto the day of my deathI (we) belong to youMy (God).
Isn't that a wonderful thought. Imagine starting every work with blessing. The composer wrote the following about the Sabar:
The Sabar Concerto was initiated at the requrest of Maestro Hermann Michael and Dr. Mark Sunkett for the purpose of creating a work that would integrate the musicians of two cultures to celebrate a new millenium.
Mark Sunkett, an ethnomusicologist, was one of the drummers and teaches drumming. All in all a very satisfying evening. I was looking for a review of the concert, but I couldn't find one. The people I spoke with found it quite satisfying.
My only concern was, of course, my Izzie. She had very good care spending the night with one friend, and when I returned Wednesday morning, she was sound asleep on the floor of the room where the search committee was meeting at the foot of another friend. She continues to react pretty well to the medicine and is sleeping lots. She does not like the steps up to the bed. We're working on it.
3 comments:
Here's a review from Thursday's Press Herald. Who would ever have thought we'd hear African drumming on stage with the Portland Symphony? A really special end to the PSO season.
http://pressherald.mainetoday.com/story.php?id=261486&ac=Go
Thank you alipso. I liked the last sentence of the review. "It was hard to tell who deserved the standing ovation more – the orchestra, the drummers or the dancers." I couldn't agree more
There was a time when I was not a particular fan of Bartók, but one evening the Louisiana Philharmonic Orchestra performed one of his concerti for piano and orchestra. I don't know which concerto, nor which pianist, but the performance was superb, and that turned me around in my opinion of Bartok. I remember telling my friend, "I never thought I'd say this, but I enjoyed the Bartók best of all."
Post a Comment